Dominique Baron-Bonarjee’s practice spans different mediums, with liveness occupying a central place in her process and inquiry. Guided by the Eastern spiritual traditions of nonduality, she speculates on an expanded field of the body so as to nurture ecological and ethical relations with nonhuman entities.

She has shown work internationally, in galleries, festivals, biennales and public space, including at the Nakanojo Biennale in Japan, the Isamu Noguchi Room (Keio University) Tokyo, Galerie Wedding in Berlin, the Bangkok Art and Culture Centre (BACC). She recently collaborated with Astrida Neimanis, author of ‘Bodies of Water’, for Lofoten International Arts Festival 2019; she presented her lecture-performance ‘Tales of Fabrication’ at the Tai Kwun Centre in Hong Kong for the ASAP Annual Symposium, and the accompanying film was screened at Tate Exchange, London. Her public space performances have been commissioned by Chisenhale Dance Space, London and Håb / Word of Warning in Manchester.

She is a current doctoral researcher in the Art Department, Goldsmiths University of London.